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Bear Bowl, 2005
18 diameter bowl design
Limited edition of 50
sold out, 
bear legend

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Sun In Bent Box 
Red Cedar, Acrylic, Metal, lighting fixtures
$3500.00 CDN
this idea came from the "raven releasing the sun legend"
 a chief used to keep the sun in a box, this is the artist interpretation of the sun in the box

 

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"Frog" 
Jewelry container
Bronze
51/2"x 6" x6" with removable lid
limited edition of 8, only 5 cast to date
$3000.00 CDN 
email artist tjbaker@tvl.com

 

22" x 22" x 8" "Raven and Bear" Limited Edition Paper Cast 
2/5 of Edition $2800.00 Cdn
Completely Archival
'bear with the mind of a raven'
Todd Jason Baker
to see many detailed photo's please email artist

 

40" x 43" x 16"  Limited Edition Paper Cast of 10
 This is #2/10 edition, "The Bear Clan" $4000 CDN
Completely Archival
shipping included. 
 email artist  


The Bear Mother Legend

The Xbi’suundt Bear myth was where the people gathered berries and other foods. While they were there, a young woman known as Xbi’suundt invited many others of her own age to go on a berry-picking trip. While they were there up in the hills Xbi’suundt stepped on the excrements of a bear and she became very angry, making slurring remarks on the bears. When the girls had finished picking berries, they went back down to the village down the hills. On their way down, the rope holding Xbi’suundts' pack broke. She walked on, but every little while, the straps snapped, and she stopped, to repair them. Meantime, her companions had gone ahead. She called them and said, "Come, my brother, to help me with my pack." They were now half-way to the village, and only two of her companions were left with her. These she sent on ahead, as it was only a short distance to home. After these companions had gone on, she looked down the trail, and she saw her two brothers coming to meet her. They were wearing their bear robes, which the people at that time were in the habit of wearing. They came and took her pack and placed her between them. They lifted her pack and placed her between them on the trail. They had not gone far, when they arrived at a large strange house. She stood in front of it, while her companions went in. She heard a voice inquiring, "Did you get whom you went for?" They replied, "Yes, she is sitting outside." Then they came out and brought her into the house. She was placed at the rear of the house, and while she sat there among strange people, someone touched her side. She looked and saw Ksm-wadziin, Mouse-Woman, she said, "The Bear people have taken you as a captive for ridiculing the excrements." Then she instructed her: "When you go out to stool, dig a hole, and when are finished, cover the hole up, and, where you sat, place one of your copper bracelets." This the woman did. She was then followed by her sister-in-law, as she had now married (one of) the men who had led her to this house. When the sister-in-law saw the bracelet where the woman had sat, she picked it up and brought it into the house for the chief said, "This woman was very right to ridicule our ordinary excrements, for hers are of copper.

The young woman was now missed in her village. Her brothers saw her trail in between those of the two bears. They reported this to the village. Then her other companions remembered how she had ridiculed the bear's excrements. Then all the people of the village realized that the Bears had taken her as a captive.

It was now going into the Fall, and the woman was living among all these Bear people around her. There were human-like and had all their bear robes hung up on the side walls of the house. She thought it strange that many times members of this tribe would go and never return. These were the bears that had been shot by hunters. It was now approaching Winter, about November, and time for the bears to hibernate. They discussed what they were to do with the woman among them. At her home village, her four brothers were preparing an expedition to hunt for her. She had left behind her pet dog called 'Mask Red'. The brothers started out to hunt for her now. First one brother would go and kill a number of bears in their dens. Then another brother would go and do the same thing. Spring was now approaching. Each one of the brothers went out singly according to their age. When the turn came for the youngest who was always accompanied by the woman's dog, 'Mask' scented the dens for him. He went across the Kalum River to Wii'gwanks, Large-Spring (Beaver River is the white man's name). The young brother now came to a clearing at the foot of a mountain which was heavy with snow and almost impossible to climb. The dog 'Mask' had picked up a scent, going up towards the top of the clearing. The young woman recognized who it was from the distance. She picked up some snow in her hand leaving the imprint of her fingers on the snow. This she threw it down the slant, and it rolled to the feet of her brother. The dog went up ahead after the young man who had picked up that snow and was barking furiously. Then the young man saw that the dog had learned its ears back, recognizing (the place where) its owner was. The young man then started up this mountainside, although it was difficult. As he was going up he saw his sister coming out of the cavern of the mountain. The young man then called upon her to come out and follow him back home. She then had offspring, little bear cubs. These she wanted to take with her. The young brother said that he would not kill the bear who had kept her captive. So when Xbi'suundt and her young brother went back to the village, the girl's father erected a pole upon which the Bear cubs, the offspring of that young woman, where to play and climb. The cubs would go up to the top of this pole and gazed at the dens of other bears. Then they would come down and tell it to the villagers that their grandfathers were at a certain part of the mountain. The hunters found out that it was true, and went to shoot the bears. The mother, feeling sorry for the bears, took and liberated these clubs, so that they could no longer tell the places of the bears to the hunters. Xbi’suundt had a sister who was called Wii'nluułk, Large-Nest (of Eagle). She (Xbi’suundt) became angry and went off into the hills. While she was up there, she saw a huge bird of the sky, which she called Asa'waalgyet. At this time the Ganhada had the Gaax (Raven), the Ganaaw (Frog) and the Kamaats (Starfish) as crests. When this woman had seen the Asa'waalgyet, her people added it to the other crests of their house.

THE PROCESS OF PAPER CASTING...

HISTORY OF PAPER; good, interesting read.

"Sign My Treaty"
Wood, Metal, Leather 
The idea of this piece came from all the injustice of how and when
the signing of lands, documents and leases are made with our people.

 

BIO

Todd Jason Baker was born in North Vancouver, British Columbia in 1965. He is the grandson of the (late) great leader and speaker Chief Khot-la-cha (Chief Simon Baker). He has lived most of his life in North Vancouver and completed his high school education and a few years of post secondary education there.

He began drawing for his tribe, The Squamish Nation, at the age of thirteen and had Bill Reid critique his first piece in 1983. Instead of using his thunderbird design as the new logo for the tribe, he went straight to a limited edition and hasn't looked back. Since then he has done numerous pieces for institutions around the country. These include the Love Doves for the Peace Federation of Canada, and a variation of the doves for the Teachers Federation of B.C. He continued his work for the Teachers Federation and created more designs for their Heart disease, Diabetes, and Heart and Stroke foundations.

Although thoroughly enjoying his work here, Mr. Baker's heart was in fashion. This passion drove him to begin school in Los Angeles and New York. While attending school at these prestigious institutions he was honoured with a trip to Paris for being the most accomplished artist of the school year. He began a new career as a fashion designer and worked for design houses such as Donna Karan and the Gap. After studying and working in NY for 9 years, living in Paris,France and London, England, Todd finally came home to his family. Upon his return his dream has been to carry on a cultural tradition of bringing knowledge to the people thru the looking glass of the northwest coast native art and its legends. Through his art, Mr. Baker has indeed given much to the world.

 


UBC Society for the Study of Reproduction Conference Logo

click on for PPT

 

 

 

"Frog"

Etched in Glass, Coffee Table (Base design, Danish original design, Vancouver B.C.)
Complete design is to be filled with glass balls to represent eggs. 
36" x 36" x 18"
1998

The Frog is a pleasant, affable creature and is another of the many important animals. The figure of the frog is known as representative of good fortune, and a symbol of magic, as it is said that there is always magic around when a frog is present. The frog is known as a positive spirit driver and thus is often associated with good luck. Frog is also said to be a messenger, as it can freely travel between land and water.
 
Because of his association with magic, frog is often affiliated with the Shamans. Frog can be identified by his green body and shape, he is also most often depicted with a wide mouth with an extended tongue.
 
The frog dance or "Tokwit", as related by artist Richard Hunt, is traditionally a woman's dance. It is said that "Tokwit" has supernatural powers and those who don¹t believe will be stricken by her power. Only Supernatural Frog can rescue them from this power.

News photo Mike Wakefield
Todd Baker's etched glass table was in the First Nations alumni show at Emily Carr.

"Here and Now: First Peoples Perspective 1964-1997 brings together artists who attended the Vancouver School of Art in the mid 60s with those who attended Emilv Carr Art and Design Institute up until last May
Painter Frank Baker, multi-media artist Todd Baker, ceramicist Norma Nahanee and sculptor Xwa Lack Tun (the artist formerly known as Rick Harry), all from the North Shore, exhibit their works alongside those of high-profile artists Robert Davidson and Bill Reid.

More than 50 artists from around the province as well as from Eastern Canada and the U.S. Showcase their work. The show continues to April 6 in the Concourse Gallery. Emily Carr College of Art and Design is located at 1399 Johnston St. on Granville Island in Vancouver.

 

Raven Steals The Sun, Stars And Moon

In the beginning there was no moon or stars at night. Raven was the most powerful being. He made all of the animals, fish, trees, and men. He had made all living creatures. But they were all living in darkness because he had not made the sun either.

One day. Raven learned that there was a chief living on the banks of the Nass River who had a very wonderful daughter who possessed the sun, the moon, and the stars in carved cedar boxes. The chief guarded her and the treasure well.

Raven knew that he must trick the villagers to steal their treasure, so he decided to turn himself into a grandchild of the great chief. Raven flew up on a tall tree over their house and turned himself into a hemlock needle. Then, as the needle, he fell into the daughter's drinking cup and when she filled it with water, she drank the needle. Inside the chief's daughter, Raven became a baby and the young woman bore a son who was dearly loved by the chief and was given whatever he asked for.

The stars and moon were each in a beautifully carved cedar box which sat on the wood floor of the house. The grandchild, who was actually Raven, wanted to play with them and wouldn't stop crying until the grandfather gave them to him. As soon as he had them Raven threw them up through the smoke hole. Instantly, they scattered across the sky. Although the grandfather was unhappy, he loved his grandson too much to punish him for what he had done.

Now that he had tossed the stars and moon out of the smoke hole, the little grandson began crying for the box containing the sunlight. He cried and cried and would not stop. He was actually making himself sick because he was crying so much. Finally, the grandfather gave him the box.

Raven played with the box for a long time. Suddenly, he turned himself back into a bird and flew up through the smoke hole with the box.

Once he was far away from the village on the Nass River he heard people speaking in the darkness and approached them.

"Who are you and would you like to have light?" he asked them. They said that he was a liar and that no one could give light. To show them that he was telling the truth, Raven opened the ornately carved box and let sunlight into the world. The people were so frightened by it that they fled to every corner of the world. This is why there is Raven's people everywhere.

Now there are stars, the moon and daylight, and it is no longer dark all of the time.

 

News

As several galleries continue to carry contemporary craft-based works that transcend functionality to enter the fine art world, the market for what is often called d " functional art" is just finding form.

In fact, gallery owners nationwide describe an impending era of increased collector interest , improved artists and artwork, higher prices and a growing secondary market for work in a genre that struggles to define itself. Indeed, the lexicon of functionality art can be difficult to pin down. The term is often interchanged with others , like "contemporary decorative arts" or "fine art Objects." The term " functional art" is rooted in the notion that the works originated as functional objects--a teapot, a clock, a wooden chest of drawers, a lamp, a glass vase, a rug-and yet have abstracted their original purposes to become works of fine art. Often times this comes at the expense of functionality.

It is generally agreed that this modern movement stemmed from the Arts Crafts movement-- many of today's functional artist began as pure craftspeople 30 or more years ago. Others choose to use the styles and techniques of the past but reinterpret them.  Jan Peters, director of del Mano gallery in Leangles,  described the transformation from craft to decorative art thusly, "A vase becomes a Vase becomes a hollow vessel." Said Leslie Ferrin of the Ferrin Gallery in New York. "its not pure craft. It's a very specialized area in the contemporary craft...    The pieces may have a vestigial reference to function but are no longer conceived of as functional objects...The only vestige, sometimes is its materials ." 

Mark Lyman agrees . He calls the work "art than draws its reference from function or craft but transcends it to a place of beauty or intellect ." Lyman, president of Expressions of culture Inc.                    

ABN

freelance graphic design available: email

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t-shirt design


produced for First Nations Alumni Art Exhibition Emily Carr  1998 

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TVL. Inc exhibition design

UBC Design work


2004 SSR-Tshirt-MW.ppt

the artist  tjbaker@tvl.com  


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