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Artist: Don Yeomans Biography Title: Talking Stick These images represent a commissioned sculpture by Haida/Metis carver Don Yeomans. The Haida people come from Haida Gwaii, also known as the Queen Charlotte Islands, located about 150 km. West of the Northern British Columbia coast. The sculpture looks much like a totem pole, and measures about 22' high, with a diameter of about 18". This sculpture pictured is a commissioned site-specific piece, intended for an interior placement. Though the piece looks like a totem pole, it is actually a very large-scale talking stick. A talking stick is also known as a Speaker's Staff. The talking stick or Speaker's Staff is held by the speaker, the speaker would stand by the chief and relay the message of the chief to those assembled. The large scale talking stick pictured, carved by Don Yeomans, is modeled after the talking stick held by the Chieftain figure in 'The Spirit of Haida Gwaii' by the late Haida artist, Bill Reid. The 'Spirit of Haida Gwaii' is one of two bronze casts, measuring about 20' long or 6 m. The 'Spirit of Haida Gwaii' features a large canoe filled with characters central to Haida mythology. One bronze cast is finished with a green patina and is in the collection at the Vancouver Airport Authority, known as 'The Jade Canoe'. The canoe may be viewed in International Departures at the Vancouver International Airport. The other cast is finished with a black patina, and was installed in the Canadian Embassy in Washington D.C. in 1991, and is known as 'The Black Canoe'. The plaster/wood original from which the hollow bronze was cast is on display at the Canadian Museum of Civilization in Ottawa, Ontario. 'The Spirit of Haida Gwaii' may also be viewed in a number of publications available for sale at Black Tusk Gallery, or sourced through your local library. One publication sourced here is titled 'The Black Canoe', text by Robert Bringhurst and photographs by Ulli Steltzer, Douglas and McIntyre, Vancouver/Toronto, 1991. The talking stick held by the Chieftain figure in 'The Spirit of Haida Gwaii' is modeled after an actual talking stick found in the collection of the Smithsonian Institution of Washington, D.C. The Smithsonian talking stick measures 82 cm or 32". We understand the talking stick in question is currently in storage at the Smithsonian. The talking stick was purchased by a collector at Massett in 1883. Massett is an ancient village on the North End of Haida Gwaii. The Smithsonian Institution talking stick thought to be have been owned by Xana, from the Masset area of the late 19th century. There are no records to determine the theory that this is Xana's talking stick, though Xana's memorial totem pole matches exactly the figures seen on the upper part of talking stick in the collection at the Smithsonian Institution. It is these upper figures which are featured in the talking stick held by the chieftain figure in 'The Spirit of Haida Gwaii' by Bill Reid, and the same figures featured in this commissioned talking stick, by Don Yeomans. The talking stick is said to tell of the story of creation, among the Haida people. "The details of the featured figures in the talking stick are the Raven with human hands, and the Ttsaamuus or Snag in the form of a Seabear (Grizzly with finned arms and a killer whale's tail) The young Raven is emerging from the Snag's mouth" pg. 74, Bringhurst/Steltzer, 1991. The remainder of the pole is expected to be finished in the next six weeks, and we hope to post additional photographs representing the progress. Additionally, much is to be said about the symbolism of the figures. Please check back.
Totem Pole Topics
Participate in The Far-Flung Totem Project What Do Totem Poles Mean?
Carved from mature cedar trees by the Native people of the Northwest Pacific coast (British Columbia, Canada and southern Alaska, USA), full size totem poles are outgrowths of the region's aboriginal art forms. Originally an important part of the Potlatch ceremony, a feast with deep meaning to coastal First Nations, totem poles were once carved and raised to represent a family-clan, its kinship system, its dignity, its accomplishments, it prestige, its adventures, its stories, its rights and prerogatives. A totem pole served, in essence, as the emblem of a family or clan and often as a reminder of its ancestry. In times past, a totem was raised for several reasons: Today, totem poles are carved for both Natives and non-Natives. They have come to represent Northwest Pacific Coast Native tradition and pride. To grasp the symbolism hidden within a totem pole try this mental exercise: envisage the Great Seal of the United States or the Coat of Arms (the Armorial Bearing) of Canada. (Look them up on the internet if you need to.) These national emblems are roughly equivalent to the meaning bound up in a totem pole. The Great Seal with its Eagle, shield and arrows features symbols, assigned a certain meaning, and representing qualities the United States chooses to identify with. In the same way, the Coat of Arms of Canada features a lion and unicorn, maple leaves, fleur de lis and a motto, that sums up its ideal national identity. As for totem poles, they once performed much the same function for Native bands. A big Native family grouping, not just a mother, father, sister, brother, but a whole Clan of relatives, who were related by blood, by experience, by war exploits, and by adoption identified very strongly with the crests and figures carved on their totem pole. In general, totem poles (like Coats of Arms and Great Seals) mean: "This is who we are; these carvings symbolically show what we stand for." Additionally, Natives felt they had special rights to claim a link to the super-human beings they depicted on their poles. These special links included: being "descended from ...." or having recently "encountered ..." or having received "a gift from ...". Some poles embody one-of-a-kind stories or unusual symbols. These stories or symbols are known in their entirety only to the pole's owner and the carver of the totem pole. If the pole's owner or carvers gave an account to a relative, granted interviews to academics, or left a written record, these unusual meanings are known. If not, hidden or special meanings are lost over time. The secret to uncovering the meaning behind a totem figure, and the symbolism behind emblematic crests such as Bear, Wolf, Half-man, Sea Serpent, Glass Nose, Hawk, Red Snapper, or Wild Woman is to see the figures, sort them out, learn to identify them through photographs, and discover the myriads of stories that have been revealed and recorded. |Totem Pole Topics| Bottom of the Page| How To ORDER the book Totem poles made by Northwest Pacific Coast First Nation's carvers for their own people portray the owner's deeply meaningful symbols and family crests. However, Northwest Pacific Coast First Nation's carvers also construct totem poles for non-Native people -- technically not part of the old totem tradition. This practise has evolved, however, to become an important part of the modern tradition and is legitimate. Since authentic full size totem poles today, cost in the region of $25 000 to $60 000 each, outsiders usually commission them to commemorate a great event or a great "coming of age," to symbolize a pact between nations, or to illustrate some sort of bond between Native people and the company or government entity who commissions the pole. To be authentic, a totem pole needs to be "sanctioned." That means that it must pass certain tests. First, it must be made by a trained Northwest Pacific Coast native person, or in rare cases, a non-Native apprentice who is approved by a Northwest Pacific Coast Band from coastal British Columbia or Alaska. Secondly, it must be raised (and blessed) by Northwest Coast natives or elders who are part of the totem pole tradition. Chain saw artists, non-Native imitators, or (non-apprenticed) Natives from bands far away from the Northwest Pacific Coast do claim to produce "totem poles". But under the rules of the Northwest Pacific Coast native totemic tradition, they are fakes. Small argillite or wooden totem poles, made for the tourist trade, are "real," under the following conditions: A great number of the miniature totem poles found in souvenir stores fall into the last catagory. However, they are not "authentic" if an outsider just "made them up." Once a person learns about totem poles, it is easy to spot fakes, because they often break the rules of totem pole assembly-protocol. Fake totem poles are rather like a bad translation of your language if the translator is not familiar with the nuances of words. The translation, like the fake, looks right, but it sounds strange to someone who knows better. (A foreign translation I once saw on English Etiquette contained a handy chapter entitled "For to Visit a Sick.") Once a person has been exposed to good examples of real totem poles and has viewed photographs of the best ones, fake totem poles become obvious. MAKE BELIEVE, MAGIC "TOTEMS:" Recently, the word "totem" has come into use as part of the elaborate "Dungeons and Dragons" game playing stategy. Players give and receive "totems," a talisman-like magical-charm that is said to empower its users with certain powers and attributes. These include totems named "Parrot," "Jaquar," "Tiger," "King Arthur," etc. Some New Age artists and jewellers also employ the "totem" as a image for various qualities they imbue into the object. Confusion arises if these groups claim their artificial "totem" constructs are part of the "ancient" First People's practise of building totem poles. These types of talismen-totems are/were not part of any Pacific Northwest Coast First Nations' traditions. Totem poles are emblems, not talismen. The difference is significant. |Totem Pole Topics| Bottom of the Page| How To ORDER the book Groups of faces and figures piled one on top of the next, woven into patterns with repeating shapes combine along the height of a totem pole to produce a mystical portrayal of something wondrous. Though it is technically an oversimplification to say that Bear means "dignified self-sacrifice" or Wolf means "powerful healing" or Sea Serpent (Siskiutl) means "bravery in war" these interpretations contain a kernal of meaning within them. However, it is in knowing the entire First People's story behind each figure that totem poles really come alive. Northwest Pacific Coast Native stories involve the easy transformation of animals into humans or vice versa, or the transformation of supernatural beings into humans.They involve whole villages of Salmon or Whale people who live happily in underwater cities; powerful beings who live deep within whirlpools in the ocean, smelt copper, and periodically change into Frogs; wild creatures who steal children, try to eat them, are caught, burned and transformed into Mosquitos; giant Thunderbirds who swoop down from the sky and snatch up giant Whales to eat for dinner; Wolves who, at night, change into bony, yet attractive Ghost People, and Wolves who grow tired of hunting in packs on the land and change into hunting packs of Killer Whales. The excitement of these stories comes because these events really happened in a time not so long ago, (oh yes, they did!) and still continue to happen for those whose eyes are opened by stories.Once the First Nation's story has been told, and the figure has been identified, why, totem poles come to life. These and many, many other interesting totem stories are told in the book: Totem Poles. |Totem Pole Topics| Bottom of the Page| How To ORDER the book Numerous totem poles continue to stand tall, in various locations, sometimes singly and sometimes in clusters all along the Northwest Pacific Coast from Seattle, Washington, along the coastal regions of British Columbia, Canada up to southern Alaska. They are located in city squares, outdoors along highways, tucked away in Native reserves (reservations,) clustered in heritage sites, or preserved in various museums. (All are specifically identified in the book "Totem Poles.") Many are located in cities: Seattle WA, Vancouver BC, Victoria BC, Prince Rupert BC, and Ketchican AK, but visitors must know on which street to look. Others are found by adventuring into the outback and arranging a camera safari to find them. A map and written directions in the book pinpoints these locations. Record setting totem poles attract everyone's attention: the world's tallest presently points skyward in Victoria BC, and the world's oldest, original (indoor) collection is being cared for in Ketichikan AK. Other record breaking poles include the worlds thickest totem pole, in Duncan, BC and the world's second tallest pole in Alert Bay, BC. The world's most viewed totem poles, about 8 million visits a year, (Vancouver Parks Department figures) are in Stanley Park, Vancouver, BC, Canada. Eco-tourists, the new wave of specialty travellers now exploring the byways of North America, love to discover breath-taking scenery and to appreciate the First People who inhabit an area. They and all others with a spirit of adventure find this guidebook an invaluable way to plan camera safaris to all sorts of totem poles: accessible, remote and semi-remote. The magic of these carved tree trunks is undiminished by time, particularly at the now declared UN World Heritage site, a haunting Haida village of decaying totems, the oldest outdoor collection, abandoned about 1835 and now accessible by water on Anthony Island, Ninstints, Queen Charlotte Islands, BC. | Totem Pole Topics| BOTTOM of the Page| How To ORDER the book Such a common expression, and so incorrect .... one wonders how it persists. At first glance it might appear that the lowest figure on a totem pole, has the weight of an entire menagerie on top, and obviously lacks status. Go surfing the Internet to any number of academic sites and see the number of acamedians who whistfully refer to themselves as "low man on the totem pole." Interestingly enough, the low end of the totem pole is very important. Totem poles are carved, not by one carver, but by a chief carver and a number of apprentices. The chief carver is well aware that the viewers of a finished upright pole, range in size from 3 feet (children) to about 7 feet (basketball players.) So, to be certain the totem looks professional and well-executed, the chief carver personally carves the bottom ten feet of the pole and allows the inexperienced apprentices to carve the higher regions. The most intricate and best carved figures are usually placed on the bottom end with the story thinning out towards the top. Many poles (but certainly not all of them!) are topped off with Thunderbird, sort of a generic capper figure, something like a Christmas star, who often has far less meaning than all the carefully thought out symbolic creatures carved into the lower regions. If anything, the lower figures on a totem pole are slightly more important. These and many, many other interesting facts are explored in the book: Totem Poles. |Totem Pole Topics| Bottom of the Page| How To ORDER the book There are a number of myths about totem poles and the rich traditions that surround them. The following statements are untrue; (true statements in brackets)
Totem
Poles of the Pacific Northwest Coast
An Altitude Superguideby Pat Kramer112 pages, 153 full color photographs including 15 full page bleeds, 10 archival photographs Altitude Publishing Canada Ltd
An excellent resource!5 WAYS TO ORDER: TOTEM POLES by Pat Kramer, a full color guidebookTotem Pole Workshops or Totem Pole Tours Hot Links to (Authentic)Totem Pole Photos and Bits of Totem Information
Photo: Oh my! Check out the photo from the book: Totem Poles and see what Computer communication protocol has transpired!!!
Story of Cedar: Royal British Columbia Museum, Victoria BC
Photo: Ninstints, World Heritage Site, Queen Charlottes BC, Grizzly Bear Mortuary Pole Photo: Ninstints, World Heritage Site, Queen Charlottes BC, Mortuary Pole Photo: Ninstints World Heritage Site,BC, small photo of decaying poles Photo: Haida Totem Photo Wins Contest
Info: Story of Alaskan Tlingit totem poles
Photos & Info: Museum of Civilization, Ottawa-Hull, Canada, Grand Hall of Totem Poles Photo: Authentic Pole commissioned for Aveda Corporation, Minneapolis (link is gone)
Info, Carving A Totem Pole, A Book by Vicki Jenson Info: Looking at Totem Poles a Book by Hilary Stewart Info: Native Sites in Western Canada: A Book by Pat Kramer 5 WAYS TO ORDER: TOTEM POLES by Pat Kramer, a full color guidebook Info in German: Indianer in West-Kanada
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|Meaning of Totems | Fake totems | How to Make a Totem Come Alive | Visit BC and Alaska Totems | "Low Man on the Totem Pole" | Myths and Falsehoods About Totems | Common Totem Figures | Where to Get or See a Totem Pole | |Making the Book| Questions About Totem Poles 5 WAYS TO ORDER: TOTEM POLES by Pat Kramer, a full color guidebook Workshops or Tours to Totem Poles carvers who will take orders of poles are: Gordon Dick COUNTRY: Canada EMAIL: gatleo@shaw.ca TITLE: Gordon Dick Nuu-chah-nulth Artist HTTP: http://members.shaw.ca/gatleo/Native%20Carved%20Jewelry%20by%20Gordon%20Dick.htm Carves Jewellery & Wood, Functional Art Artist, Carver, Pole Carver, Jewellery carver, Print Maker DESCRIPTION: A Nuu-chah-nulth Artist who enjoys making Jewellery and wood carvings. He explores many mediums and creates functional Art. Cody Mathius 604-988-0684
add your name to the list of carvers
Visit the companio site: Discover the Native Sites in Western Canada5 WAYS TO ORDER: TOTEM POLES by Pat Kramer, a full color guidebook Site Last Updated, 2/1997 E-mail the Webmaster
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